![]() ![]() ![]() We, Doka GmbH, use cookies and third-party applications. Therefore, I’m convinced that at the Expo 2020 we’re making a significant contribution to reinforcing the international perception of Austria and its innovative potential”, Robert Hauser continues.ġ) to the use of cookies 2) to the transfer to the United States of America of data obtained through the cookies “With our digital services, we’re focusing on the construction methods of tomorrow. There will also be a physical exhibition consisting of a miniature exhibit of the Framed formwork Frami Xlife from the 3-D printer. DokaXact, Concremote and CONTAKT are introduced using a digital presentation in the so-called “InnovationTowers”. In the first phase of the temporary world exhibition from October to December, visitors will have the opportunity to get to know three digital solutions in the iLab, the heart of the Austrian Pavilion. ![]() The exhibition is a unique platform for us to present ourselves to a public of millions as a company and innovator and to demonstrate the future added value that we offer the construction sector, especially with our digital solutions”, says Robert Hauser, CEO of Doka. “We’re thrilled to be part of Expo 2020 in Dubai. That includes Doka, the international formwork and scaffolding company from Amstetten. A total of 53 solutions, products and services chosen by a jury of high-profile experts will be presented in the Austrian Pavilion. The design encourages maximum human interaction through permeable rooms of various volumes and dimensions.ĭesigned to be brought back to the Philippines, modular construction will contribute to less environmental impact and most importantly, enable more Filipinos to experience and learn about a 4,000-year epic adventure leading to a Modern Philippines.With 440 ha (an area greater than 600 soccer fields), 200 countries and international organisations, and more than 20 million expected visitors, Expo 2020 is an exhibition of superlatives. Major areas feature Nature, including human beings, as ecosystemically connected. The aesthetic logic is drawn from natural systems. Santos – interlinks visual and plastic arts, digital production, scientific data, text, and kinesis. The curatorial direction – beginning with having set the dialogue architecture and the avante garde music of Dr. The design formulation is Philippine: landscape and permeable surfaces that work even in the Middle East. Pathways wrap around the Bangkóta core, open to the harsh elements except for the shielding effect of plant life and wire mesh. Unexpected visual and physical sensations drive the delivery of updated information about the Philippines, in a sequence that pivots on a large-scale sculpture and equally riveting images.Ī core is enmeshed, externally, in a meandering wire-mesh pathway that leads to the pavilion apex. Santos, selected visual artists, and Filipinos on top of the game in animation, App design, choreography, video, product design, the sequence of exhibition spaces within the Pavilion produces different but linked experiences. In collaboration with National Artist for Music Ramon P. The interior and exterior interact and overlap, like coral. During the ongoing pandemic where some pavilions sourced their supplies from countries that shut down, the construction of Bangkóta remained on track. Its carbon footprint is minimized as these materials are all readily available in Dubai. It will deliver science and mythology through art, architecture, and design.īasic, modest materials like concrete, sandwich panel, and metal mesh met the budget and with Practical Luxury, design enabled the coralline architecture to visually occupy the land as a sculpture holding its own. It endeavors to show nature and culture interacting. The pavilion was conceptualized in epic terms. Imagining the Filipino as coral reef – proliferating nodules that interconnect to become the largest organic structures on earth – the people and their reef are an extensive, global community. The Philippines is an archipelagic country of 7,641 islands whose Exclusive Economic Zone includes the center of the center of marine biodiversity in the world a large section of the Coral Triangle Benham Rise and the West Philippine Sea. Presenting Bangkóta – the old Tagalog word for coral reef. With a very modest government budget that is adequate only for a building just a third of this plot size, the principal design challenge was clear: how to stage a compelling portrait of the Philippines that will have a striking presence among over 192 participating big-budgeted country pavilions. The Philippines was assigned to the Sustainability District of the Dubai World Expo grounds, on a 3,163 sqm plot. The Pavilion of the Republic of the Philippines is physically the largest participation in post-war editions of the century-and-a-half series called the World Exposition. ![]()
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